
SHORT CUTS: That’s Life
Following the success of The Player (1992), which was widely regarded as a return to form for director Robert Altman (even though eclecticism is often what defined the best of his work), Short Cuts seemed […]
Following the success of The Player (1992), which was widely regarded as a return to form for director Robert Altman (even though eclecticism is often what defined the best of his work), Short Cuts seemed […]
Directed and co-written by Colin Higgins, the writer behind Hal Ashby’s Harold and Maude, 9 to 5 is a cult comedy in which the political edges are dulled by a cartoonish plot. However, it might […]
Staff Writer Kyle Turner’s coverage from the Provincetown International Film Festival continues with a review of Paul Weitz’s Grandma. There’s a complexity about Paul Weitz’s Grandma which is rather overwhelming: it’s about generational differences between three women, the […]
Despite studying film for more than a decade, I had never seen Robert Altman’s Nashville (1975). This should not be interpreted as a disclosure of neglect or ignorance. Instead, it was because I felt like […]
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