
SHORT CUTS: That’s Life
Following the success of The Player (1992), which was widely regarded as a return to form for director Robert Altman (even though eclecticism is often what defined the best of his work), Short Cuts seemed […]
Following the success of The Player (1992), which was widely regarded as a return to form for director Robert Altman (even though eclecticism is often what defined the best of his work), Short Cuts seemed […]
When I decided to write about Billy Wilder’s Irma La Douce (1963) for this week’s StreamLine piece, I originally intended to argue on the film’s behalf. In discussions of “lesser Wilder films” Irma La Douce […]
“What really makes a classic film a classic?” Ahhh. The age old question. Classic film fans have mulled it over for years. We’ve argued about it, fought about it, unfriended “friends” online in a fit […]
[dropcap size=small]I[/dropcap]f you could pick two of your favorite characters from one of your favorite movies, and give them a spin-off, who would you pick? It’s a downright delicious thought, eh? Oftentimes, the best thing about […]
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