German Expressionism

Terror and Horror from Undercrank

Oct 25, 2017 Nathanael Hood 0

In his seminal “Danse Macabre,” Stephen King defined the difference between Terror and Horror, two terms long mistaken for simple synonyms. “Terror,” he explains, “comes from suspense, the creeping feeling of knowing a monster is […]

B-Roll: Jean Renoir’s NIGHT AT THE CROSSROADS (1932)

Dec 12, 2015 Nathanael Hood 0

Darkness falls at the crossroads and near all is silent. Milky fog opaques the inky blackness pierced by an occasional light. In a mechanics shop a worker sniffs a pinch of cocaine hidden in a […]