Few filmmakers have career codas more disheartening than Claude Autant-Lara. Though dismissed by members of the French New Wave as part of the artistically sterile “tradition of quality” that supposedly plagued the French film industry […]
Reviewing a movie you’ve seen a million times over an almost twenty year period is a hard task, especially when it comes to something that has become a large part of your life and that […]
By the early ’70s, François Truffaut was no longer one of the great pioneers of French cinema. The man who had stunned the world by helping start the French New Wave with masterpieces like The […]
Ettore Scola initially didn’t want Sophia Loren—that luscious siren of Italian cinema—as one of the two primarily leads in A Special Day. A poignant, devastating film about loneliness and love, the role called for an […]
[dropcap]J[/dropcap]ust one of the many wonders of silent film is that in every frame, a precious look back at a disappeared place and time is revealed before us. Locked therein are windows to the past. […]
Recently I jokingly tweeted: “I always have trouble watching Krzysztof Kieślowski’s films b/c I’m so busy admiring their beauty that I forget to pay attention to the plot.” Of course, that wasn’t entirely a joke. […]
Before personally getting my hands on the Criterion Collection’s release of David Lynch’s debut feature film Eraserhead, I looked at some screenshot comparisons put together by the good Gary Tooze for DVDBeaver (which you can […]
The films of Harold Lloyd were the most financially successful of all the great silent clowns. Which, in itself, is no small feat. The most successful film of his career, 1925’s The Freshman, exemplifies the […]
In March of 1953, the late Elmore Leonard published his story Three Ten to Yuma in the pulp publication Dime Western Magazine. He eventually sold his story to Columbia Pictures. With an adapted screenplay by […]
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